Retro fitting

A blog post to a sequence of events, of interest here are poetry open mics in Oxford, Birmingham, Bristol, London, Southampton, Chipping Norton, and coming up, Coventry soon. Elsewhere further afield, I aspire to Leeds, Southport, Newcastle, somewhere in Scotland (Dundee?), Barrow? But why? I love hearing people speak verse. A heartless (often) artwork setting … Continue reading Retro fitting

I make models, ships in bottles…

These phrases, from a poem of mine (here) begin to articulate my understanding of what art, and poetry as a kind of art-in-words, does. Among other things, art mediates the distance between the moment and the eternal. Art represents the macrocosm in the microcosm, bursting like Michelangelo's Awakening Slave: a moment out of the stone … Continue reading I make models, ships in bottles…

Was hit by a one-two of poetry

Was hit by a one-two of #poetry yesterday readin' Deep Wheel Orcadia (Picador, London, 2021), a sci-fi novel by Harry Josephine Giles (find their books and more here https://harryjosephine.com/) in trans-linguistic Orkney verse mediating & mediated in nowimmediateurgent language. Boom! And, Martina Evans, "Drunken Driving an extract" (The Stinging Fly 51.2 Winter 2024-25, pp24-33 https://stingingfly.org/magazine/): … Continue reading Was hit by a one-two of poetry

Time, perception and the infinite

Life is energy, movement, change, time. An implication of infinite space and time is that only the here and now exists forever. Thermodynamics. Energy moves: hot to cold. Movement is time. Movement is relative: this moves towards/away-from that; faster/slower, more/less. Movement is change: here to there. Change is time. Change is relative. Time is relative. … Continue reading Time, perception and the infinite